Sunday, December 30, 2007

Intro to Mass Effect



Not got Mass Effect yet? Why not...?

Friday, December 07, 2007

why MASS EFFECT is game of the decade?

http://galactichub.vault.ign.com/index2.php











ARTICLE IS A REPOST from Fox news at http://www.foxnews.com/story/0,2933,314541,00.html

Video games like "Mass Effect" don't come around too often, and good thing: This new science fiction epic is so good it's basically sucking away all of my free time.

Action addicts who'd rather shoot first and think later may find it somewhat pedantic, but "Mass Effect" is a wonderful example of dorky digital storytelling.

It's a space opera in the "Star Wars" tradition, sans the constant father-son limb chopping and the inanely pubescent romantic dialogue.


What we have here is a distinctive universe where the Milky Way becomes a staging ground for intergalactic political intrigue, some racy interspecies romantic flings, (yes, they went there) and, of course, battles with viscous aliens.

If you prefer aliens of the E.T. variety, fret not: there are plenty of boring, friendly creatures to chat with, too.

The back story is interesting even if you've been through the usual gamut of interstellar epics like "Star Trek" or "Battlestar Galactica."

In "Mass Effect," humans have only recently begun to find their place in a considerably larger galactic community. That's right: We arrogant humans hardly matter.

There are more than a few creatures who'd like it to stay that way. Namely, the game's chief villain, Saren Arterius. As a rogue special agent gone bad, he's on a zealous quest to aid a race of artificially intelligent creatures called Geth and destroy all intelligent life in the universe.

Sadly, we hardly ever seen him during the game. Beyond that, unleashing a race of life-squelching monsters turns out to be dumb decision — at least if you have any say in the matter.

As human Commander (insert the first name of your choosing here) Shepard, you engage as a planet-hopping, alien-quashing superagent, called a Spectre, who goes sniffing around the vacuum of space for Kryik.

Like those endearing Choose Your Own Adventure books, "Mass Effect" gives players many paths to follow — good, evil, and somewhere in between — by selecting from one of several responses during even seemingly mundane conversations.



There's a ton of dialogue here, and it's all well-done and relatively interesting by video-game standards.

My earlier caveat to action gamers is warranted because this isn't a title where you'll want to run into the fray like some trigger-happy maniac. You'll die.

"Mass Effect" battles are what it would be like if you could play chess, Dungeons and Dragons and rock-paper-scissors at the same time.

There are many role-playing elements, which is cool because you can really tweak Shepard and your computer-controlled companions for the many missions. Planning, strategy and skill-point allocation far outweigh fast reflexes, that's for sure.

The graphics are superb on the Xbox 360, with some of the most realistic-looking aliens around, if that makes any sense.

The dialogue sequences are shot like big-budget movies and feature some wondrous backdrops such as sprawling space stations and seedy, dimly lit bars.

With games like this lasting for weeks and weeks, why even bother with commercial-filled televised space dramas you can't control?

Wednesday, November 21, 2007

THE BEST GAME EVER! MASS EFFECT




After being with Halo 3 for weeks, which I give 9/10.. .along comes a game that totally blows me away.

I am NOT an RPG fan or much into STRAGETGIC games, but having played video games for the past 30 years, I must say this is the best game I have ever seen on any platform in all my time. I am only 8 hours into it, and so far the story line is totally engrossing, the artistic design is totally stunning, the people responsible for the uniforms, ship designs and architecture of your universe, deserve an award on their own, and lets not forget the voice acting, and music, all brilliant!

I have never been so engrossed in a game in my 40 years on this planet! Its like an immersive simulation! 10/10!!!! go get a xbox 360 and go get this game and get lost in your own SCI FI world! DO IT NOW!

Monday, September 24, 2007

HALO 3 REVIEW!


THIS GAME ROCKS!

HALO 3 launch day!



YES I AM OFF TO PLAY! so wont see me online for a while.....a looong while......

Wednesday, September 12, 2007

Office etiquette 'degenerating'


IMPERSONAL emails, bitching about workmates, poor phone manners and dressing inappropriately are some of the sins we commit every day in the office.

And Gen Y workers are the worst offenders.

That’s the opinion of two of Australia’s leading business etiquette experts, June Dally-Watkins, who runs the Business Finishing College in Sydney, and Tracey Hodgkins of the Australian Experiential Learning Centre in Perth.

“A lot of people have no idea about good manners and correct behaviour in the workplace because no one has taught them,” Ms Dally-Watkins, 80, told NEWS.com.au.

Newsletter: Latest Business Sense delivered to your inbox

“They’re brought up watching bad things on television every night, or on the internet and on music videos. I think this is why the behaviour of people is degenerating.”

Ms Hodgkins said most of the students in her office etiquette course were Gen-Yers just starting out in the workplace, and many were enrolled by their new employers.

"In universities they’re not taught about basic, everyday stuff. And it seems to be a big issue in a lot of workplaces."

Not knowing correct workplace etiquette has always been an issue with young workers, she said, but Gen-Y are more vocal about it.

"Gen-Y tend to speak their mind, whereas the baby boomers were happy to put up and shut up."

Send me an email

One of the worst office habits today was sending impersonal emails containing a cold request or comment, Ms Dally-Watkins said.

She believes pleasantries such as “hello” and “thank you” should not be forgotten in messages.

“On email be kind and considerate to the other person. Remember they’re a human being. That’s what we’re losing with technology these days. Everyone’s treated like a robot.”

Ms Hodgkins said Gen-Y tended to abbreviate words in emails, "which doesn’t really go down well with people from any other generation".

And email jokes are not appropriate in any shape or form, she said. "It sets you up as the person who is the joker rather than the person who is the expert. It’s not good for your career."

She also advised workers to be careful what they say in emails because they can be kept on record for a long time. "And avoid using office email for personal use, because your employer can access them."

Face to face

In today's workplace many people (particularly Gen-Y, according to Ms Hodgkins) are more likely to communicate with someone two desks away by email rather than get up from their desk and give the message in person.

It's a trend Ms Hodgkins doesn’t like. "There’s no replacement for face-to-face interaction," she said.

"Plus I think sitting at a desk all day is bad for you. Why not get up, have a stretch, walk a few metres to speak to someone rather than do it all by email."

And when chatting to someone in person, don't lean in too close. Ms Hodgkins said personal space was an issue of concern regularly raised in her workplace etiquette seminars.

"Some people are just not comfortable speaking too closely to someone," she said.

Meet and greet

One of Ms Dally-Watkins' pet hates around the office was the overuse of “how are you?” as a greeting.

“I don’t like the ‘how are you’. I think it’s false and a waste of time. People don't mean it, it’s so empty. I’m going to try to stop it if I can,” she said.

It’s much nicer to say, "so nice to see you" or "welcome", Ms Dally-Watkins said.

When shaking someone's hand look them in the eye and make sure your grip is firm. And when introducing people always mention the older person's name first, she said.

The walk-by

When workers walk around the office to go to the bathroom or kitchen, should they always greet the people they pass?

Ms Hodgkins says it's polite to do so, adding that office hallways are a great way to socialise and also have informal meetings. "They’re designing workplaces now so people have to bump into each other," she said.

Dress for the occassion

It’s vital to dress appropriately in the workplace, Ms Dally-Watkins said, and women should be careful not to be too revealing.

“I think plunging necklines for a woman is a terrible way to attract attention at work," she said.

"I believe it’s our face, our eyes, our expression and our personality that counts more. If we can only get attention by wearing tacky clothes, how sad”

She tells students to forget about just getting a diploma, because they have to look employable as well.

“Who wants to pay good money to someone who looks yucky and doesn’t present a good image for their company? You want them to be clever, have the appropriate education and look all that your company stands for," she said.

On the phone

The correct way to answer an office phone is, "Hello, (insert name here) speaking."

If you happen to work near a loud phone talker and find them disruptive, be direct and politely tell them it is preventing you from doing your work, Ms Hodgkins said.

Speaking on the mobile phone in the office was fine, so long as it doesn’t disturb your neighbours.
But never SMS anyone over a work-related matter, Ms Hodgkins said, as it's unprofessional.

Online @ work

Policies on personal internet use differ from office to office. The general rule, though, is to do it in moderation.

Bosses shouldn't be too worried about Gen-Y spending a lot of time online because they are very good at multi-tasking with the net, Ms Hodgkins said.

"They could have a chat-site open to talk to their friends while they’re doing their work – quite effectively, I might add. That’s the way they’ve been training their brain to work for the last 10 years," she said.

Be polite

When it comes to those annoying or rude co-workers who get on your nerves, be polite, Ms Dally-Watkins said.

“I don’t think anyone has the right to tell someone they’re behaving badly to their face. It would be bad manners to point out their bad manners," she said.

Ms Hodgkins agreed. "There’s an awful lot of bitching that takes place in the workplace and I don’t think there’s any excuse for it.

"I’d advise anyone who doesn’t like someone else to just be polite. You don’t have to like everyone you work with. You’re there to do a job and you’re obligated to work as effectively with them as you can."

Key to workplace etiquette

The key to office etiquette is to communicate to staff what the local etiquette is. If people don’t know the culture and the rules everyone will go about things differently, Ms Hodgkins said.


_____________________________________________________________________


And this story has allot to do with the below posts, about rudeness of generally Gen Y people, from Xbox live to internet forums, the art of communicating has been lost by many of these people!

Sunday, September 09, 2007

Bird on water


Just a snap I took in Gladstone on the weekend :)

Sunday, August 12, 2007

A FUNNY SIGN!


I took this photo on a recent trip to Rockhampton!

Wednesday, June 13, 2007

WHY Does Australian TV suck?


It is better to be a pirate than to join the navy", said Steve Jobs, when rallying the troops who originally designed the first Macintosh. Twenty years later it seems odd that the same Mr. Jobs has done more to stem the flow of pirated material over the Internet than any single person. Apple and the iTunes Music Store dragged the record industry into the new market of the Internet. Before iTunes, music on the Internet was "shared" illegally through peer-to-peer networks such as Kazza and Limewire. Nobody believed that people would buy music on the net when the same files were available free of charge. One Billion songs later and iTunes is a word synonymous with success.

Now, a new network called BitTorrent has become the online pirates favourite weapon of choice. Its favourite download? Television shows.

Television networks see this as pure theft. They argue that shows downloaded illegally are hurting ratings in Australia and are responsible for lost revenue in advertising. They also claim that people will not download television at a price when free versions exist all over the web. Hmmm, doesn't that sound familiar?

First, some history. BitTorrent was created by Bram Cohen, as a way of distributing large files over the Internet, without burdening the original host with bandwidth costs. BitTorrent works by dividing the files into small chunks, where every user is simultaneously downloading a file while they upload to other users. This software was originally created to help distribute Linux builds, but quickly became overcome by "pirates" searching for TV shows, games, movies and all manner of digital wares.

BitTorrent was first considered to be a threat to the movie industry. In an excellent Wired interview in 2005 with the BitTorrent's creator, this threat was highlighted by the Motion Picture Association of America, who began suing individuals downloading movies, in order to, as the MPAA's anti-piracy chief John Malcolm put it, "avoid the fate of the music industry." But the reality is that most movies available on BitTorrent are usually bad quality, they are shot on low definition cameras at a cinema, and include people walking in front of the lens, talking and generally being annoying etc. Shows broadcast on television on the other hand are generally ripped from a Tivo like device, are easily comparable with broadcast images, are ad free, and available almost immediately.

When Wired Magazine asked Bram Cohen if he would use BitTorrent if he hadn't invented it, he replied "I don't know. There's upholding the principle. And there's being the only knuckle-head left who's upholding the principle." Asked later if he thought his invention will lead to the downfall of cinema and television, he replied: "Take this new platform and mine it for gold... Hollywood, which squawked about VHS, figured out how to make billions off video rentals." Traditional media shareholders are always scared of new forms of distribution which threaten their stranglehold on an established market. It's why the RIAA sued people who used file sharing networks to download songs. Its also why the MPAA started suing BitTorrent users. But creators of content need to realise that suing their customers is not the answer. For some reason, customers don't like being sued.

To take John Malcolm's analogy further, I would hope the television industry will "avoid the fate of the music industry", by not waiting till they have turned a generation into pirates before offering other options for free to air TV fans to watch the shows they love. Treat people like thieves and that's what they'll become.

A Nation of Pirates
BitTorrent usage in Australia is the worst kept secret on the Internet. Technology and television forums across Australia are filled with posts about “watching the latest episode of (insert show here) on a recent trip to America." My ISP says BitTorrent accounts for about 45% of its Internet traffic. Channel BT, as it is known, is the new reality.

Even The Bleeding Edge, Fairfax newspaper’s technology blog, has written many guides for setting up BitTorrent for the downloading of "Linux distributions". Fairfax, as a content producer and a major media player, can not be seen as supporting piracy. Yet they have even skirted the issue by suggesting "a friend of theirs" has used BitTorrent to catch up on missed episodes of Desperate Housewives. Missed episodes? Or new episodes that haven't aired in Australia?

According to piracy tracking site Envisional’s recent studies, Australians are the greatest BitTorrent users per capita in the world. Despite making up only 0.3 % of the world’s population, Australians account for 20% of BitTorrent traffic. This is only set to increase as more and more Australians begin to use broadband. In 2005 only 30% of Australians connected to the Internet had a broadband connection, by 2006, it was 51%. Critical mass of broadband has been achieved. This point is crucial in understanding "Channel BitTorrent's" sudden rise in Australia. An hour long television show is roughly 350MB, which would take around 14 hours to download on a dial up connection. A standard MP3 is about 3MB, or 12 minutes. It is for this simple reason, the size of the files in question, that music was the first battleground of Internet piracy. High speed Internet means television is the next major battleground.

While there is no other option available, could it be that illegal downloading of television will only increase? In 2006, with broadband adoption growing Australia, piracy was blamed for the drop in viewers of the early episodes of the two hit imports of 2005, Lost, and Desperate Housewives. Yet by the end of 2006, Desperate Housewives was actually rating better than it had in 2005. What can be gleaned from the implications of these ratings? Its hard to say, because comprehensive research has not been made in Australia that addresses BitTorrent's effect on ratings. My guess would be that the drop in ratings at the start of 2006 were from fans of the the show who had already downloaded the new episodes that Channel Seven were showing. The later peak in viewership could be due to the buzz the downloaders (and new fans) of the show had created. Is it possible that for every viewer the networks lose to BitTorrent, they gain three more from the 'water cooler" effect?

Channel BT
It sounds far fetched, but is it really? Battlestar Galactica is the show that defined BitTorrent. Battlestar debuted in the U.K. in October 2004, but was delayed in the U.S. by the Sci Fi Network until January 2005. That didn't stop the geeks in U.K hitting the Internet and proclaiming Battlestar as the best new show in a decade, and uploading Battlestar on the relatively new network. When it finally debuted in the US, the word of mouth created by those who had BitTorrented the show meant that Battlestar became the most watched show in The Sci Fi Channel’s history. This is a fascinating example because usually Americans, as the world largest producer of television, are normally the first audience in the world to watch new programs.

It seems that consumers downloading episodes of a series via BitTorrent create demand and are extremely loyal viewers. Downloading a torrent takes a bit of effort, first to discover new shows, then to locate the files and join a swarm. It is not something most people with small download limits and low Internet speeds can do on a whim. It also seems to me that BitTorrent increases sales of a series on DVD. How many people do you know with DVD box sets of Arrested Development, Firefly, The Sopranos, or Lost? Ok, now how many of those people discovered these shows via television or via the Internet?

Where BitTorrent is having major effects is on the serialised television shows, such as Prison Break, Lost, and Battlestar Galactica, that reward loyal viewers with in-jokes and gradual plot development. Show like Law and Order and CSI are safer, because it really doesn’t matter if you miss an episode. Miss an episode of Battlestar Galactica, Prison Break, or Lost, and you could quickly find yourself, well, lost.

We are entering a new phase in television where TV and the Internet converge. America, as one of the strongest producers of television content in the world, has been able to embrace the new albeit slowly, embrace this new reality. The major US networks offer downloads of their most popular shows the day after they have screened, at a small price through iTunes or Xbox Live, or free through streaming (ads included) on their websites. Neither service is available outside of the U.S.

The question is, would the average punter be prepared to pay a nominal fee for an episode that is guaranteed to be downloaded at the highest speed possible, or use a free BitTorrent service whose speed is subject to the activity of "the swarm", and could contain viruses. The US iTunes store suggests the answer is yes. Also, if a new method like iTunes becomes adopted by the majority, it will actually hurt Internet piracy by removing people from the "swarm", therefore slowing down torrent speeds. Sure, there will always be piracy on the Internet, because there was always piracy before the Internet. It is human nature. But iTunes has proven over a billion times around the world that when you give people the opportunity to do the right thing, more often than not they will.

Silly Season
So what can be done in Australia? Australian TV needs to adopt the current situation that is proving successful in the US, where episodes are available for streaming immediately after they have screened, or downloaded commercial free for a small price through iTunes. This would obviously require new contracts to be written between our local networks and the US studios to include the Australian rights to stream video on the Internet along with free to air broadcast rights. Tougher still would be working out who was entitled to any profits from sales made through iTunes, the Australia rights holders, or the US producers, or both. I don't pretend to know the deals that could be made, this is something for the lawyers to work out. Either way, this can only happen when Australian TV starts airing episodes as close to there original air dates as possible, and it is in the interest of our networks to make this happen as soon as possible.

Australian television networks need to embrace the new reality of the global market, to understand that consumers are no longer prepared to wait months on end for their favourite shows to be screened, when they don't have to. We are sick of finding out who killed Laura Palmer or who shot Mr. Burns months before we finally see the episode screened on free to air. Who in Australia would be prepared to wait for a new episode of Prison Break to appear on Yahoo7, if it was freely available 9 months earlier on channel BT? Fans of a show called Prison Break probably have a looser ethical compass than most!

Australian television networks could never "catch up" with the US schedule, because the US launches most shows in September, and traditionally Australia's Low Ratings period starts in November. So What? Most US shows reach a mid season climax for the November sweeps, then take a 'hiatus' over the Christmas season, only to return by mid February. That seems to coincide nicely with the Australian Summer, doesn't it? Another argument was that Australians benefit from the delay it takes imported shows to reach our shores, because it allows our commercial networks to screen a full series without these long interruptions. Anyone swayed by this argument needs to look at any Green Guide to read fans angry with our networks cutting up a series, playing episodes out of order, playing weeks of repeats of hit shows to 'stretch out' a season, playing 'fake' season cliff-hangers. The list goes on...

The truth, as these complaints show, is Australian Commercial television has little respect for its viewers. Seven, Nine And Ten have turned exploitation into an art form. They all rely heavily on expensive US hits that are cheaper to import than locally produced drama. Waiting months on end to debut a show allows them get a clear idea what imports will win or lose, so they can decide what to spend there marketing dollars on. Local content regulations (which ensures that 55% of prime time television is locally produced) are seen as a commercial burden, rather than important to the culture of Australia. The locally produced "hits" in this county are generally cheaper imitations of international reality formats, such as Big Brother, Australian Idol and The Biggest Loser. This cosy situation has made Australian television the most profitable in the world. But how much longer can this go on?

Hollywood had to deal with this global reality a few years earlier. Traditionally Hollywood films have had a ‘staggered’ release around the globe. For example, a blockbuster film released in the U.S. for the Thanksgiving weekend (America’s highest grossing box office weekend) would be delayed in Australia until Boxing Day (our biggest movie going day). Online piracy destroyed this model, as pirated copies of films were distributed to eager fans who chose instant gratification over image quality. By 2003, all major Hollywood films were released simultaneously across the globe. Hollywood realised that giving consumers what they want, when they want, was better than holding out for the traditional schedules that had worked so long in the pre-Internet era. Again, doesn't this sound familiar?

Lets look at BitTorrent's numbers again. The U.S, with a population of 300 million people, account for 7% of BitTorrent traffic. Australia, with only 20 million people, accounts for 20% of all traffic. Is this really a surprise, when U.S audiences are offered a legal option to watch their favourite TV shows via the Internet. CBS recently announced that the shows they offered as downloads or via streaming, had better ratings and more loyal fans. Surely the remarkable rise in ratings of The Daily Show and The Colbert Report can be attributed to their cult status on YouTube.

This doesn't just effect TV from the US. Tony Martin joked that the ABC delayed screening Ricky Gervias' Extras, because they wanted to wait until everyone who wanted to watch the show had either downloaded the series or bought the DVDs. Funnily enough, I heard this on the podcast of Get This. Why? Because I hate the music and advertisements Triple M plays, and I would rather download a Nickleback free version of the show than to listen to it live. In fact, I doubt I would have ever heard Get This had it not been released as a podcast. I think Tony Martin is Australia's greatest comedian, but I never listened to him while he was only available via Triple M. Even Roy and H.G., who are on a network whose music I enjoy, I still download as a podcast rather than listen to live. Why? Because I prefer to listen to them on Monday morning than Sunday afternoon. It is the simple fact that the Internet generation expects time shifting. Despite this, Get This is able to wrap their podcasts in sponsorship. And I am happy to hear their advertisements if it means I can listen to Tony Martin whenever I want.

Channel Ten seems to understand this new reality, screening new episodes of the O.C and Jericho soon after they have screened in the USA. They have also started selling episodes of locally produced “David Tench” and “Tripping Over” through Bigpond.com, for those who may have missed an episode. It is interesting to note that Channel Ten targets a younger audience, those who are Internet savvy, and may be willing to source their favourite shows through “non-traditional” channels. Ten have also released "best bits" podcasts of Thank God You're Here and The Ronnie Johns Half Hour, and rather than hurt the ratings, Thank God Your Here has actually been the highest rating show of 2006. Channel Seven can fill its schedule with "Encore Presentations" of Lost or Desperate Housewives, but that's really not the answer. What are the people that miss the encore presentation going to do? Or those who miss the first four episodes?

The key here is iTunes. Apple's juggernaut now owns 88% of the legal download market worldwide, thanks to the success of the iPod. If legal television downloads are to overtake BitTorrent usage in Australia, those shows need to be available through iTunes. It is, to date, the only successful business model that is cross platform.

The End of The World As We Know It
I really don't believe that BitTorrent will negatively effect Australian TV network ratings any time soon. In fact, for the time being I think us geeks will actually help network television by providing shows like Heroes a word of mouth buzz that no slick marketing campaign could ever hope to create. But television networks need to think closely about their long term future. Every angry fan that turns to channel BitTorrent for their latest fix of Lost will be much harder to coax back to free to air television down the track. The longer a viewer becomes used to BitTorrent - free to watch, on demand and without ads, they will be harder to convince that what they are doing is wrong. And every time a network representative defends this situation with word like "anyone using BitTorrent is simply impatient or a thief" offends a massive group of extremely loyal television fans. When BitTorrent finally starts to negatively effect network television ratings, it maybe too late. Treat people like thieves and that's what they become.


originally posted.....at....
http://forums.mactalk.com.au/showthread.php?t=32403

Tuesday, May 15, 2007

WHAT IS REAL HD TV


Follow the link, and listen. Finally puts to rest this whole silly debate about what is HD or REAL HD TV. Enjoy

Thursday, May 10, 2007

BROADCAST TV IS DEAD!


BROADCAST TV IS DEAD!

Like many others I have been enjoying TV when I want it, what I want it. But its not on a shiney little plastic disc, and its not from my cable company and its hardly from my local free to air channels. I don't watch any ads, and if I want, a whole season of a TV show, I just subscribe to it. I am talking about itunes or Xbox TV and movies service. I will gladly pay the provider of content ($1.99) what to watch, from Heroes to Battle star, to House to The Office, with no ads, no station logo, and not cuts or editing so the broadcaster can fit in more ads.

Broadcast TV is going the way of the DODO, many advertisers are VERY concerned as 75% of the demographic between 18, and 35 no longer watches TV, listens to the radio or reads a newspaper. And why may well you ask, well, one reason , advertising, there are far too many ads on radio, or TV to handle, you cant even follow some TV shows.

An example recently was a friend of mine who said he keeps hearing about this HEROES show, but he couldn't get into it on broadcast TV. I told him go get an a subscription to it on Itunes, then you watch it when you want, un-edited, in order, and no ads, he now loves the show, and suddenly can follow Battlestar and a few others shows that have been on broadcast TV, but he couldn't follow them with all the ads, and being shown out of order.

Also people are used to the internet experience of getting just the right information relevant to them. What can linear radio or newspapers offer in that regard? Having to wade through pages of NON interesting information just to read to bits you might be interested about, its a technology that just is not suited to the information age. Thus when it comes to our leisure time, we want what we want, and we want it now, not when a TV station tells us. We want to watch it on a large screen TV with surround or we want to watch it on a train or at the office when we on a break. Portable video players a massive hit in Japan, where as much as 60% of TV is now consumed on an hand held device. I myself still like the cinema experience when watching TV or movies, but its all about choices, which is what broadcast TV stations DO NOT give us.

The relationship is quickly becoming between the viewer and the content creator, and the broadcaster is quickly becoming irrelevant. I suggest if you are sick of your TV broadcaster, then check out your itunes store or xbox live channel, or one of the other online delivery methods of getting your content downloaded to your home, and watch shows the way the producers indented it to be watched, uncut, no ads, and in order!

Wednesday, April 11, 2007

FUTURE OF FLIGHT




I had to do a video at work about future of flight, and dogfight sequences, so rather than edit some old top gun crap, I decided to use some SCI FI stuff instead, I had to hack some out of this, as the original went for 15 mins, and you tube only allows 10 mins, so a quick edit between the choppers and vipers was done (thus why the sound track is dogy in that part.. didnt sound edit it), but you get the idea... anyways rather than let the work sit on our internal servers, I decided to put up 8 mins of it on you tube for your enjoyment :)